Hidden messages: Archetypes in Blaxploitation films, Melle Starsen
Many movie critics and researchers have rebuked Blaxploitation films (1970-1975) as sexist, racist, and, most of all, degrading to black audiences and the black community. However, this empirical study of blaxploitation films has determined that far from presenting a negative image of the black community, many of the entries in this genre do in fact provide embedded archetypes that present consistent messages for black audiences about the need to eschew exploitation of their own people and communities and instead, support education, crime-reduction programs, and community outreach to improve the communities. The films, though accused of being violent and brutal, actually present messages about the need for black communities to stand together and right the wrongs of the past by supporting an almost sovereign nation-within-a-nation.
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